Roger Boyce has enjoyed one person exhibitions in New York, Los Angeles, Chicago, San Francisco, Paris, Melbourne, Sydney, Christchurch, Wellington and Auckland and has been included in exhibitions at the Sao Paulo Bienal, Brazil, The New Museum of Contemporary Art, New York, PS 1, The Clocktower, New York, Creative Time, Brooklyn Bridge Anchorage, New York, FIAC-Decouvert at the Grand Palais, Paris, The Drawing Centre, New York, and Otis Parsons Art Institute Los Angeles.
Boyce’s work is represented in the collections of the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, the Corcoran Gallery of Art, Washington DC, the deYoung Museum, San Francisco, the Dallas Museum of Art, Christchurch Art Gallery, the Grey Art Gallery, New York University, and the University Art Museum, University of California at Berkeley.
Awards include a Pollock-Krasner Foundation Fellowship, a Mid-Atlantic Foundation, National Endowment to the Arts Grant, a Harnish Foundation Fellowship, and a Louis Comfort Tiffany Foundation Nomination.He has taught studio and seminar courses at Smith College, Princeton University, and Carnegie Mellon University.
He now lectures in Painting at The School of Fine Arts, The University of Canterbury, New Zealand. Boyce has organised and curated exhibitions in New York, New England, Australia and New Zealand.Boyce has also contributed critical writing to Art in America, Sculpture, Art New Zealand, Artnet and White Fungus among other publications. In talking about his practice Boyce states, “I employ caricature, parody, irreverence, eros, observation & embroidered transcription to buffer the mortal inevitabilities we all inevitably suffer.”