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REBECCA HARRIS – Sprinkled – 17 Sept-11 Oct, 2024

New paintings and ceramics

The seven paintings in this exhibition all have a basis in observed reality but appear as if from another realm. Some works flicker with light and are reminiscent of the Pointillist artist George Seurat or the Impressionist Camille Pissaro yet Harris’s consideration of gesture and colour is driven by her own vision and invention.
Before establishing herself as a painter, Rebecca Harris worked in ceramics. In this exhibition she returns to the physicality of clay and paints upon the curved surfaces with lines and daubs which find echoes in her paintings. Plants, animals and patterns intermingle under a high gloss finish.

Rebecca Harris – ARTIST TALK – Sat 28 Sept, 11am

'Mt Vernon Track III', Rebecca Harris, 2024, oil on board, 1220 x 915mm   'Milnthorpe Estuary II', Rebecca Harris, 2024, oil on board, 1220 x 915mm   'Milnthorpe Estuary I', Rebecca Harris, 2024, oil on board, 1220 x 915mm
'Glimmer I', Rebecca Harris, 2024, oil on board, 655 x 915mm  'Opawa - Ōpāwaho', Rebecca Harris, 2024, oil on board, 915 x 655mm (SOLD)  'Sprinkled', Rebecca Harris, 2024, oil on board, 460 x 570mm  'Sunset Silhouette', Rebecca Harris, 2024, oil on board, 570 x 460mm

Rebecca Harris, ceramic 7a, sculpted painted porcelain, 225 x 225 x 60mm    Rebecca Harris, ceramic 79, sculpted painted porcelain, 290 x 285 x 70mm, (SOLD)    Rebecca Harris, ceramic 7c, sculpted painted porcelain, 325 x 315 x 100mm    Rebecca Harris, ceramic 7d, sculpted painted porcelain, 275 x 280 x 60mm (SOLD)    Rebecca Harris, ceramic 7e, sculpted painted porcelain, 320 x 325 x 80mm (SOLD)   Rebecca Harris, ceramic 7f, sculpted painted porcelain, 215 x 180 x 55mm SOLD
The 6 ceramics above are wall mounted.
All the ceramics in the exhibition were made during 2024 and are hand-painted, slip-cast porcelain. Rebecca first sculpted in clay then created plaster molds into which she poured porcelain slips. Individual parts were then fused together before the built forms were bisque fired. The hard white forms were then hand-painted, clear-glazed and fired to 1170 degrees celsius.

The ceramics are best seen at the gallery but these shots will give an idea.

   

Rebecca Harris ceramics, bowls and plates

Art NZ- Rebecca Harris – review by Grant Banbury